How Will We Survive? Introducing The Deserter

By Franco "Bifo" Berardi, April 10, 2024

HOW WILL WE SURVIVE? A month ago The DESERTER began https://francoberardi.substack.com Il DISERTORE started a month ago and recently exceeded one thousand subscribers. IL DISERTORE was born out of my intellectual desperation, but I would like it to become a point of reference for those who are fleeing away, reminding that when you escape you [...]

IF YOU DON’T MOVE YOU’RE NOT HERE: Welcome to the Post-Zoom Alternative Mumler.app

By Agnieszka Antkowiak, January 14, 2024

On the occasion of the Expanded Publishing Fest – 20 Years of INC on the 12th of January 2024 amidst the triple book launch, micro book fair, tactical television and club night there was one more event that took place in the in-between spaces of physical and digital – the first public connection established through [...]

Open Call: Lab voor Online Kritiek

By Laurence Scherz, April 20, 2022

Het Domein voor Kunstkritiek en De Nieuwe Garde organiseren dit voorjaar een avontuurlijk lab rondom digitale kunstkritiek en essayistiek, waarin we met elkaar in de online publicatievormen duiken. Een lab voor Nederlandse en Vlaamse cultuurjournalisten, essayisten en makers met experimenteerdrift die (ver) voorbij de lineaire tekst willen kijken. Meld je aan voor deze driedaagse met [...]

What’s Up with WhatsApp? A South African case study

By Natalie Dixon, September 28, 2021

In this blog series, INC research fellows Natalie Dixon and Klasien van de Zandschulp explore a burgeoning intimate surveillance culture in neighbourhoods across the world. At the core of this research is a flourishing network of surveillance technologies produced by Silicon Valley and perfectly tailored to a vigilant and paranoid home-owner. This matters. Because being [...]

Cyberia: Exploring Infrastructures of Bangalore’s Cybercafés

By Shruti Chamaria, May 26, 2021

Cyberia is a poetic provocation in the form of a photographic series that explores infrastructures of Cybercafés in Bangalore. What does it mean to use these overlooked spaces today—as a worker, a client, or simply an artist? These sites composed of passages, objects, and stories—reveal a sense of connection, privacy, self-expression, surveillance, and manipulation. Against [...]

“Please move through this site with care.” On Maya Man’s Compassionate Digital Experiments

By Agnieszka Wodzińska, April 15, 2021

Maya Man is a young artist, dancer and technologist from New York. Utilising her background in coding and computer science, she makes projects that enhance and expand online experiences. Her work incorporates themes of joy, nostalgia and curiosity all at once, often leaning on early internet aesthetics while projecting a vision of embodied technological bodies [...]

Zijn digitalisering en verduurzaming het antwoord op de transitie naar een weerbaar cultureel landschap tijdens én na corona?

By Chloë Arkenbout, March 25, 2021

Dat de coronacrisis de culturele en creatieve sector volledig op haar kop heeft gezet is evident. Wat speelt er momenteel op beleidsniveau? En hoe spelen digitalisering en verduurzaming een rol in de transitie naar een weerbaar cultureel landschap – zowel tijdens als na de coronacrisis? In de EU heeft de sector vanwege de pandemie in [...]

Democratisering van de Kunstkritiek?

By Leonieke van Dipten, April 6, 2018

How-To Digitale Kunstkritiek Donderdag 19 april, 17.00- 19.00, Spui 25, Amsterdam Door Sonja van der Valk Het publiek is steeds vaker een actor in het kunstenveld. In het theater participeert ze, in het museum cureert ze, met designers ontwerpt ze. In de kritische reflectie op die kunst is haar rol echter marginaal, zeker als actor. [...]

SIGNALS – an Exhibition of the Snowden Files in Art, Media and Archives

By Inte Gloerich, September 5, 2017

SIGNALS – an Exhibition of the Snowden Files in Art, Media and Archives September 12-26, 2017 | DIAMONDPAPER Studio | Köpenicker Straße 96 | Berlin For more information see www.berlinergazette.de/signals SIGNALS is the first project to critically engage with artists responding to the NSA-files leaked by whistleblower Edward Snowden. Considering the most relevant contexts in [...]

Mister Motley’s review of The Volkskrant Building: Manufacturing Difference in Amsterdam’s Creative City

By Vera van de Nieuwenhof, October 18, 2015

A review (in Dutch) of INC publication The Volkskrant Building: Manufacturing Difference in Amsterdam’s Creative City by Bart Stuart and Klaar van der Lippe of Mister Motley There are still some hardcopy issues available, you can order them or download the digital version here

Art & Cultural Initiatives