The launch event of my new book Networks Without a Cause happened on Wednesday March 28 2012 at my school where the Institute of Network Cultures is based (HvA). My former student, photographer and blog expert Anne Helmond held a great speech, which you can read here. We also put it on the INC website. Next month the German translation will come, again with transcript Verlag who also did Zero Comments. I will go to Berlin on May 24/25 for the launch. The German edition, translated again by Andreas Kallfelz, is called Das Halbwegs Soziale, eine Kritik der Vernetzungskultur (arguably an even better title than the original English one). The Halfway Social, I love the ambivalence in that term. Then, on June 13/14 I will be in Torino and Milano for the launch of the Italian edition (to be published by Egea as Ossessione Collettive) for which Vito Campanelli wrote a great introduction.
Most Recent Readings
Conversation on Digital Archiving Practices
Conversation on Digital Archiving Practices With Geert Lovink By Davide Giorgetta & Valerio Nicoletti DG/VN: The scanning of texts — for instance of out-of-print books — and their subsequent storage as digital files has developed a new figure: the amateur librarian. Which are the features, responsabilities and limits of this figure? GL: I do not [...]
On the ABC of Tactical Media & Workspace Manifesto (1997)
Interview with Geert Lovink for Digital Manifesto Archive by Matt Applegate & Izzy To This email interview was conducted for The Digital Manifesto Archive (http://digitalmanifesto.omeka.net). The idea was to talk about the (digital) manifesto genre and tactical media. The questions were raised by Matt Applegate, the archive’s creator and Assistant Professor of English and Director [...]
Cecilia Guida & Geert Lovink: Art in Public Space—a Dialogue
“Secrets are Lies” and “All That Happens Will be Known” are slogans in Dave Eggers’ The Circle, a Google meets Facebook novel that deals with the manufacturing of ‘social needs’. To me the saga reads like a cheap update of Orwell’s 1984. It’s a one-dimensional artefact that nonetheless manages to spark controversies, for instance in [...]