Visual Correspondents: Artists as opinion makers, individual expressions on a public platform

Hoogslag, along with member of the Visual Correspondent Foundation and VFC-Berlin, commissioned seven artists to make screen-based works looking at specific border-related issues in their home country.

'Editorial Imagery' in U-Bahn Station Kochstrasse in Berlin

The work traveled to a few locations in Europe, eventually making its way to the historic U-Bahn Station Kochstrasse in Berlin, Germany (also referred to as Checkpoint Charlie). Hoogslag added, “This project is saying that walls are not just from Berlin, walls are everywhere: not only physical, but internalized as well as virtual. She was impressed that the piece was stirring up conversation amongst onlookers,

“The men that ran the kiosks, working on the platform, had to explain the work to the commuters – and it created a nice surrounding dialogue. It was a nice to think that the men selling the news, became a part of the news [or an extension of] the magazine.”

In addition, Hoogslag added her hope that we can “challenge media, challenge people and challenge assumptions with creative and powerful visuals.”

She left us with three examples, that she felt, helped evolve editorial imagery, Motomichi Nakamura’s The Levee (a visual commentary about the Hurricane Katrina disaster), Samiha, and an interactive work about the world’s news by Lust.