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JANUARY 03, 2005


Angela Beesley is one of five directors of the Wikimedia Foundation, the parent organization of Wikipedia, where she is Executive Secretary and Volunteer User Representative. She is Vice-President of Wikia, Inc. which runs the Wikia search engine and Wikicities, a collection of freely-hosted wiki communities. Angela also serves on the Advisory Board of ourmedia, a grassroots media archive. Angela has recently worked as a consultant for the BBC and was formerly a researcher and test developer for the National Foundation for Educational Research.

DECEMBER 01, 2004

Hayo Wagenaar

Hayo Wagenaar was trained as interactive designer, and developed a practice in designing animation and interactive elements. He worked for the software company Origin, designing graphics, icons and general interfaces for Rabobank telebanking. He collaborated on the design of the Dutch parliaments’ website and in 1997 he co-founded IJsfontein, an Amsterdam based interactive design company. As the current art Director of the company, he is mainly involved in the conceptual translation from any client’s message to a truly interactive concept.
Selected projects:

• Typotoons and Tattletoons, innovative programmes merging web and television interaction.
• Educational children’s games on CD-rom
• 3D world of IJsfontein’s ‘Webmaster’, 1999
• 3D environments of Masters of the Elements, 1997


Geke van Dijk works as a PhD researcher at the Department of Computing of the Open University in Milton Keynes (UK). The focus of her work is investigating the ways in which consumers move between online and offline channels while searching for information and deliberating a purchase. From the early nineties until 2002 Geke worked in the internet industry in The Netherlands. As managing director of Lost Boys content & usability she was responsible for research and consultancy on user experiences and online communication strategies. Geke combines her current academic work with being co-director of STBY, a new media research company based in Amsterdam and London.
Selected publications:

• Nothing Bloody Stands Still: Annual Magazine for the European Network for Cultural and Media Studies (pp. 66-72). Amsterdam: Amsterdam Cultural Studies Foundation


Michael Indergaard is an Associate Professor of Sociology and Anthropology at St. John’s University, New York. His areas of special interest are urban sociology, economic sociology, technology and culture. He published in Social Problems, Urban Studies, Urban Affairs Review and Economic Development Quarterly. He is the author of a key study, from a socio-economic perspective, of work in the web-design industry, Silicon Alley: The Rise and Fall of a New Media District. He has a forthcoming book (along with Robert Tillman) on problems of corporate governance and financial crimes entitled, Pump and Dump: The Rancid Rules of the New Economy (Rutgers University Press).
Selected publications:

• Silicon Alley: The Rise and Fall of a New Media District, Routledge, an imprint of Taylor & Francis Books Lt, 2004
• Making networks, remaking the city. Economic Development Quarterly, Vol. 10, 172-187. 1996


Helen Petrie has degrees in computer science and psychology. Her main research interests are human-system interaction and the psychology of
technology use. She is Professor of Human Computer Interaction at City University, London, an Associate Fellow of the British Psychological Society, and a leading figure in the design of the websites for maximum accessibility and the author of the UK Government’s Disability Rights
Commission’s recent landmark report, The Web, Access and Inclusion for Disabled People.
Selected publications:

• Accessibility: Tension, what tension?: Website accessibility and visual design, Helen Petrie, Fraser Hamilton, Neil King. May 2004
• Augmenting icons for deaf computer users., Petrie, H., Fisher, W., Weimann, K. & Weber, G., Proceedings of CHI’04, 2004.
• Computer Access by Visually Impaired People, Petrie. H, O’Neill. A-M & Colwell. C In Encyclopaedia of Microcomputers, (Kent. A & Williams. J.G, Eds.), pp. 17-30, Marcel Dekker, Inc., ref. HCID02/08, 2002.
• 100 hours alone with the Internet, in Global@Home, (Kubicek. H, Braczyk. H.J, Klumpp. S & Rossnagel, A, Eds.), vol. in German, 2000.
• Evaluation of Guidelines for Designing Accessible Web Content. Colwell, C. and Petrie, H. In C. Buhler & H. Knops (Eds.), Assistive Technology on the Threshold of the New Millennium. (AAATE 99). Amsterdam: IOS Press.
• Auditory Navigation in Hyperspace: Design and Evaluation of a Non-Visual Hypermedia System for Blind Users. Morley, S., Petrie, H., O’Neill, A-M., and McNally, P. (1998) In Proceedings of ASSETS ’98, ACM


Franziska Nori is head of research of the Kulturbüro. From 2000 – 2003 she was curator in chief of the department for digital culture at the Museum of Applied Arts (MAK) in Frankfurt, for which she conceived exhibitions as well as a collection of digital objects (games and websites). Franziska Nori curated exhibitions such as ‘I Love You’ exploring the worlds of hackers and viruses, ‘adonnaM.mp3’ devoted to the phenomenon of filesharing in the Net, ‘Origami digital’ about the so-called demo. In 1998, she was appointed by the European Commission to deliver an appraisal of future strategies for European museums working with new media. Prior to this, she worked as an independent curator of modern and contemporary art, at the Schirn Kunsthalle Frankfurt, the Museum für Moderne Kunst in Vienna, the Museo Nacional Reina Sofia in Madrid, and the Fundación la Caixa in Palma de Mallorca.
Selected publications:

• adonnaM.mp3 Filesharing – The hidden revolution in the Internet, the catalogue on the exhibition, digitalcraft, 2003
• I love you, digitalcraft, 2002


Danny O’Brien is is chiefly known as the editor of Need To Know, the satirical web-weekly that has tracked, fed and parodied internet culture and web-design for over seven years. O’Brien is involved in, a group of volunteers disseminating information about issues around privacy and censorship, particularly with respect to the Internet. He also writes for the UK Sunday Times and the Irish Times.
Selected projects and publications:

• Need To Know newsletter, Prize: Special Commendation at the first Interactive BAFTAs and the European Internet Journalist of the Year award for 2001
• A weekly column for the London Sunday Times
• “Wired On Friday”, a column in the Irish Times
• Some past and future clichés regarding (GNU/) Linux, Mute Magazine, 2002

adrian mackenzie

Adrian Mackenzie is a member of the Institute for Cultural Research, Lancaster University and the author of Transductions, bodies and machines at speed (Continuum, 2002). Currently he is working on a cultural and ethnographic study of programming, including Java, asking how new media infrastructural objects such as databases, protocols, image codings and frameworks can be read as collectively embodied imaginings.
Selected publications:

• Software and Culture, Digital Formations Series, Peter Lang, NY, 2005
• The performativity of code: software and cultures of circulation, Theory, Culture & Society, 2004
• Java: how internet programming practically imagines virtuality, July, 2003
• Transductions: Bodies and Machines at Speed, Continuum Press, 2002

Dr Rosalind Gill.JPG

Rosalind Gill works at the Gender Institute at the London School of Economics and Political Science, where she runs a Masters programme in Gender and the Media. She is a member of the Media@lse team, and her broad interests are in social theory and methodology, post-modernism and feminist theory. Her work is centrally concerned with the new forms that discriminatory practices take in these ‘flexible’ and ‘post’ times. Her PhD was concerned with ‘new racism’ and ‘new sexism’ in British pop radio, and more recently she has looked at similar issues in new media, sceptically examining its claim to be an industry that is ‘cool, creative and egalitarian’.

Selected publications:

• From Sexual Objectification to Sexual Subjectification: The Resexualisation of Women’s Bodies in the Media. Feminist Media Studies 3, no. 1 (2003), pp. 99-106
• ‘Cool, Creative and Egalitarian? Exploring Gender in Project-based New Media Work.’ Information and Communication Studies 5, no. 1 (2002), pp. 70-89.
• New Media: Working Practices in the Electronic Arts. DG V, European Commission, 2000
• Gender and the Media: representations, audiences and cultural politics (Polity Press, 1998)
• The Gender-Technology Relation Edited by: Rosalind Gill and Keith Grint (Taylor & Frances, 1995)


Schoenerwissen/OfCD conducts research and development in computational design. This includes original interdisciplinary research in information technology, human-computer interaction and social sciences. Their projects oscillate between web applications, visual software and communication design – for a broad range of public institutions and private clients. The award-winning nomad design office is led by Anne Pascual and Marcus Hauer and is currently based in California, where both pursue research in the Media Arts and Technology Program at UC Santa Barbara. Furthermore they are regular contributors to the design section of De:Bug Magazine in Berlin.
Selected publications:

• The Reform of Webdesigns, De:Bug Magazine, June 2004
• Standards for the Design, De:Bug Magazine, October 2002
• Fashionable Technology, De:Bug Magazine, August 2002
• Design as Seven inches, De:Bug Magazine, June 2002


Peter Luining is an Amsterdam based artist and designer with a long history in digital art, both on and off the net. After studying contemporary philosophy in the 80’s, he became active in the Amsterdam vj-scene. He started to experiment with computers, made 3D animations in commercial jobs and directed video clips. Since 1996 he produces autonomous artworks on the Internet. Using familiar tools such as Flash, html and Javascript, Luinings’ work explores the dynamics of the net in a minimalist manner.
Selected works:

• rationalizer 04. make audio visual compositions with artificial life forms, 2003
• BGO MUI*5 A closed net- based interactive sound installation using touch screens for the Dutch Department of Justice building. 2002
• ctrlaltdel v. 14.0. A net-based sound & click space using browser elements & computer color palettes. Needs Macromedia Shockwave Player 8.5 + MP3 player + sound turned on. 2002
• Artists piece for the Dutch net and printed art magazine Kunstlicht. The printed part consists of a log that describes the process of the making of the net- piece. 1999


Peter Lunenfeld is Professor in the Media Design Program at the Art Center College of Design in Pasadena, CA. He works, writes, and teaches at the intersection of art, design, and technology. Lunenfeld is the editorial Director of the highly designed Mediawork pamphlet series and associated Web site for the MIT Press. They include Writing Machines (2002) by N. Katherine Hayles, designed by Anne Burdick (who also did the Web Supplement), Rhythm Science (2004) by Paul D. Miller aka Dj Spooky that Subliminal Kid, designed by COMA. Next up in the series is Shaping Things by Bruce Sterling, designed by Lorraine Wild. Lunenfeld has lectured at Harvard, Yale, the MIT Media Lab, the Royal College of Art, the University of Stockholm, the Getty Research Center, UC Berkeley, and the Interaction Institute Ivrea in Italy.
Selected publications:
• USER: InfoTechnoDemo, designed by Mieke Gerritzen (MIT, 2005)
• Media Design: New & Improved Without the New for the 5th Anniversary issue of New Media & Society
• The Design Cluster for The Design Research Reader (MIT, 2003);
• Snap to Grid: A User’s Guide to Digital Arts, Media and Cultures (MIT Press, 2000)
• The Digital Dialectic: New Essays on New Media (MIT Press, 1999)


Author of First Real Net Art Gallery, Last Real Net Art Museum, The Most Beautiful Web Page. Co-author of Zombie&Mummy episodes. Net Art pioneer and entrepreneur. Animated GIF model. Wife of rockstar. Since 1999 Professor of Merz Akademie (New Media Pathway), Stuttgart.
Selected net projects:
• Last Will and testament
• My Boyfriend came Back From the War (3rd prize WEB ART CONTEST, Sao Paulo, 1997) 
• Agatha Appears (2nd prize NET-ART 1998)
• Anna Karenina Goes to Paradise
• Zombie and Mummy episodes


john chris jones.jpg ‘photo by Jorge Glusberg, 1981’

John Chris Jones is one of the leading figures in design theory and author of several key books such as Design Methods, published in 1962. He was appointed as the first Professor of design at the Open University, UK, and has been writing and lecturing independently since 1974. More recently he has established a unique web presence via a peripatetic and mobile blog. He is the author of The Internet and Everyone, Ellipsis, London, 2000.

WEBLOG 1: First attempt at a ‘public journal’ in 1998:

WEBLOG 2: Second attempt at a ‘digital diary’, 2001 to the present:

Selected publications:

• ‘Design Methods: Seeds of Human Futures’. John Wiley and Sons, CHICHESTER AND New York 1970. 2nd Edition, with with new prefaces and additional texts, 1992. There are translations in Japanese, Polish, Romanian, Russian, Spanish, Chinese and perhaps Korean.

• ‘The State of the Art in Design Methods’ in ‘Emerging Methods in Environmental Design and Planning’. Gary T. Moore, ed. Cambridge, Massachusetts: MIT Press, 1970, pp. 3-8.

• Design 1: Imagination and Method, Designing as a response to life as a whole. Technology Foundation Course Units 32-34, report written by C.L. Crickmay in collaboration with J.C. Jones, The Open University Press, Milton Keynes, 1972

• Designing Designing in ‘Design Studies’. Vol. 1, No. 1. July 1979. pp. 31 – 35.

• ‘Essays in Design’ John Wiley & Sons, Ltd., Chichester and New York 1984 (afterwards republished as ‘designing designing’, ADT press, London 1991). Also in Spanish.

• ‘Designing as Living?’ Reviews of “Life in Antwerp and On My Mantlepiece,” 1991, and of “Design Discourse: History, Theory and Criticism,” 1990, edited by Victor Margolin, in ‘Information Design Journal’, volume 7 number 2, 1993, pp. 142 – 147 (and there is a review by Victor Margolin of ‘designing designing’, pp. 148-151.)

• ‘The internet and everyone’, clothbound edition, 592 pages, ellipsis, London 2000. Reviews and present availablity at , electric edition at .


Steven Pemberton is a researcher at the CWI, Amsterdam, the Dutch national research institute for mathematics and computer science, and chair of the W3C HTML and Forms working groups. At the end of the 80’s he designed and built a browser with extensible markup, stylesheets, vector graphics, and client-side scripting. He has been involved with the Web from the beginning, organising two workshops at the first Web conference in 1994, and chairing the first W3C Style Sheets Workshop in 1995. He is co-author of amongst others HTML 4, CSS, XHTML, XForms and XML Events. He is editor-in-chief of ACM/interactions, the journal of ‘new visions of human computer interaction’.


Selected publications:
• column Reflections for interactions
o Our subliminal art
Zen and the Art of Interaction Design, 1998
• column Views and Feelings for the SIGCHI Bulletin for 5 years
o Never is a Long Time
Why screens will replace paper eventually, 1996
• The ABC Programmer’s Handbook (Prentice-Hall 1990)
• Pascal Implementations: The P4 Compiler and Interpreter (Ellis Horwood 1982)