Out Now: Arts in Solidarity Zine

Out now from the Partisan Social Club and Casco Art Institute: The Arts in Solidarity Navigating Funding Constraints and Shifting Paradigms of Growth and Competition. The zine is the outcome of a gathering at Casco on 13 April 2024. Inside, you’ll find talks, contributions from participants, and responses from the day. The publication is a tool for reflection, something to return to in future conversations abut art, solidarity, and resistance.

Initiators: Andy Hewitt, Mel Jordan, Aline Hernández, and Marianna Takou
Contributors: Justin O’Connor, Andy Hewitt & Mel Jordan, Laura Alexander, Yazan Khalili, and Sepp Eckenhaussen
Design: Michael Wright

You can download the full PDF file here: https://networkcultures.org/ourcreativereset/wp-content/uploads/sites/57/2026/01/ArtsandSolidarity.pdf

Art in Permacrisis #11: Geert Lovink and Platform Brutality

By Sepp Eckenhaussen, February 2, 2026

Geert Lovink joins me in the studio for this new episode of Art in Permacrisis. Geert is a media theorist and the founder of the Institute of Network Cultures. He has a background in the Amsterdam squatting movement, he invented the notion of ‘tactical media’ several decades ago, and in recent years, he has focused [...]

Artistic Resistance in the Age of Big Tech: Recording of Our Distant.Gallery Program at De Balie

By Sepp Eckenhaussen, January 9, 2026

With Distant.Gallery, artist Constant Dullaart has developed an online platform where artists from around the world can showcase their work – especially when they find no connection to the dominant (Western) art infrastructure of fairs and museums. It also serves as an alternative to Big Tech, a place where people can come together without having their [...]

Jobless Webzine

By Daria Ivans & Arina Atik, November 6, 2025

Critical Overview: Sparkly DIY Critique “Jobless” is a webzine created by Daria Ivans and hosted on the minimalist web-publishing platforms Hotglue and Neocities. Main themes of the webzine are artistic labour, precarity, and the impossible task of making art “employable”. The project is using digital cartography of subcultural media artefacts as a medium for the [...]