In response to the increasing potential for video as a significant form of personal media on the Internet, the Video Vortex program examines key issues that are emerging around the independent production and distribution of online video content. With the rise of YouTube and alternative platforms, the moving image on the Internet has become expansively more prominent and popular. As a wide range of technologies is now broadly available, the potential of video as a personal means of expression has reached a totally new dimension.
Following the success of the first Video Vortex reader (published late 2008, second edition, 4000 copies in total), recent Video Vortex conferences in Ankara (Oct. 2008), Split (May 2009) and Brussels (Nov. 2009) have sparked a number of new insights, debates and conversations regarding the politics, aesthetics, and artistic possibilities of online video. Since these issues develop with the rapidly changing landscape of online video and its use, we want to open up a space once again for interested people to contribute to this critical conversation in a second issue of the Video Vortex reader.
Taking its lead from the first Video Vortex reader, and based on the issues raised at the latest three Video Vortex conferences as well as recent developments, possible topics include:
Theories of online video and Web cinema // Politics of online video // YouTube and the state of contemporary visual culture // Database aesthetics // Video art meets web aesthetics // Autonomous participatory culture for art and activism // Artist engagement with ‘user-generated-content’ sites: content and architecture // Changing modes of video distribution and what this means for artists and activists // Open-source and open-content initiatives // Alternatives to proprietary standards // Censorship and YouTube // The ethics and politics of indigenous knowledge and online video // The use of online video within government practices (election campaigning, censorship etc.) // Democracy, citizen journalism and online video // Social Cinema // Educational practices and online video in the classroom // New and changing economic models // Google, YouTube and the economics of online video // Commercial objectives imposed by mass media on user-generated and video-sharing databases // Effect of ubiquitous online video practice on cinema, television and video art.
Internet, visual culture and media scholars, researchers, artists, curators, producers, lawyers, engineers, open-source and open-content advocates, activists, Video Vortex conference participants, and others to submit materials and proposals.
We welcome interviews, dialogues, essays and articles, images (b/w), email exchanges, manifestos, with a max of 8,000 words. For scope and style, take a look at the previous INC readers (Video Vortex Reader, Urban Screens, Incommunicado Reader, MyCreativity Reader) and the style guide at: https://www.networkcultures.org/_uploads/videovortex_styleguide.pdf
This publication is produced by the Institute of Network Cultures in Amsterdam and will be launched early 2011.
DEADLINE: May 10, 2010
SEND CONTRIBUTIONS TO: rachel(at)networkcultures(dot)org
ABOUT THE READER SERIES
The INC reader series are derived from conference contributions and produced by the Institute of Network Cultures in Amsterdam. They are available (for free) in print and pdf form on https://networkcultures.org/publications/inc-readers/
Previously published in this series:
INC Reader #5: Scott McQuire, Meredith Martin, and Sabine Niederer (eds.), Urban Screens Reader, Amsterdam: Institute of Network Cultures, 2009. The Urban Screens Reader is the first book to focus entirely on the topic of urban screens. A collection of texts from leading theorists, and a series of case studies that deal with artists’ projects, and screen operators’ and curators’ experiences, offering a rich resource at the intersections between digital media, cultural practices and urban space.
INC Reader #4: Geert Lovink and Sabine Niederer (eds.), Video Vortex Reader: Responses to YouTube, Amsterdam: Institute of Network Cultures, 2008. The Video Vortex Reader is the first collection of critical texts to deal with the rapidly emerging world of online video – from its explosive rise in 2005 with YouTube, to its future as a significant form of personal media.
INC Reader #3: Geert Lovink and Ned Rossiter (eds.), MyCreativity Reader: A Critique of Creative Industries, Amsterdam: Institute of Network Cultures, 2007. The MyCreativity Reader is a collection of critical research into the creative industries. The material develops out of the MyCreativity Convention on International Creative Industries Research held in Amsterdam, November 2006 (no longer available in print; pdf online).
INC Reader #2: Katrien Jacobs, Marije Janssen and Matteo Pasquinelli (eds.), C’Lick Me: A Netporn Studies Reader, Amsterdam: Institute of Network Cultures, 2007. C’lick Me: A Netporn Studies Reader is an anthology that collects the best material from two years of debate from The Art and Politics of Netporn 2005 conference to the 2007 C’Lick Me festival (no longer available in print; pdf online).
INC Reader #1: Geert Lovink and Soenke Zehle (eds.), Incommunicado Reader, Amsterdam: Institute of Network Cultures, 2005. The Incommunicado Reader brings together papers written for the June 2005 event, and includes a CD-ROM of interviews with speakers (no longer available in print; pdf online).
ABOUT VIDEO VORTEX EVENTS
Video Vortex V: Brussels, Belgium (November 20-21, 2009) was organized by Cimatics festival 2009 in cooperation with the Institute of Network Cultures in Amsterdam and supported by KASK (Faculty of Fine Arts, University College Ghent) and the Center Leo Apostel (CLEA).
Video Vortex IV: Split, Croatia (May 22-23, 2009) was organized by The Department of Film and Video at the Academy of Arts University of Split and Platforma 9.81, in collaboration with the Institute of Network Cultures in Amsterdam.
Video Vortex III: Ankara, Turkey (October 10-11, 2008) was organized by Bilkent University Department of Communication and Design, in cooperation with the Institute of Network Cultures.
Planned Events: Video Vortex Budapest (Oct. 2010), Leicester, Amsterdam (March 2011), Croatia (September 2011).