VideoVortex #4 Split home | bios | program | documentation | credits
Video Vortex 4 Split
October, 22-23, 2009
The Department of Film and Video at the Academy of Arts University of Split and Platforma 9.81 will organize the Video Vortex 4, in collaboration with the Institute of Network Cultures in Amsterdam. After previous events on online video and responses to YouTube in Brussels, Amsterdam and Ankara, this event will focus on the moving image on the Web.
The themes of the international symposium will be:
Telepresence and Web Aesthetics
Video meets Web aesthetics: how is the phenomenon of ‘telepresence’ incorporated in various art forms, such as music, theater, visual arts, literature and cinema? What are underlying aesthetics and what are the specific interface contexts?
Social Cinema
Has cinema found its way onto the Web? Did it change the essential features of cinema? What are the new possibilities of collaborative production? Does the future of film museums and cinematheques lie in online cinematic databases?
Architecture and Moving Image
Online video offers an immense database of moving images, which could be displayed in urban public space. What are the existing cinematographic visions of the future of the moving image in public space? (In films such as Blade Runner, Minority Report, Children of Men, etc.) Which visions can be directly implemented, and which will remain film scenography?
Video Sharing
What are the standards and alternatives for sharing, licensing and hosting moving images on the Web? This theme explores issues around the distribution, licensing, collaborative production, and video hosting.
Technology and politics of the moving image
What is the future of visual browsers? How does moving image production relate to cultural, technological and political dominance? Open standards and codex politics. Surveillance issues.
Literature and video online narrative
Narrative strategies on the Web. From screenplay writing with hypertext, the broadcasted self and narrative avatars to collective narrative processes leading to Web literature, tag based video narrativity, public journalism and performative real-time literature.
During the Video Vortex in Split we will present five cinema events:
1) upload cinema 2) mobile phone cinema 3) social cinema 4) cinematic data base 5) performative cinema