Program MoneyLab #13 – Krypto: Decrypting the Artist, @ NeMe, Limmasol/Cyprus

In MoneyLab, by Geert Lovink, October 27, 2023

Updates on the conference/exhibition website: https://www.neme.org/projects/moneylab13 Sustaining its interest in presenting insightful new critical ideas on the developments of the digital domain and how that is affecting our society and…

Airtime Screentime Facetime: a Live-Publication

In Going Hybrid, by Carolina Pinto, October 25, 2023

We are happy to announce the launch of the final publication, celebrating the end of the two-year cycle through questioning hybrid experiments and strategies in the cultural sector. Screentime Airtime…

The Hmm, MU, and Affect Lab launch ‘Toolkit for the In-Between’

In Going Hybrid, by Sepp Eckenhaussen, October 21, 2023

The Toolkit is an online space full of experimental experiences, fresh examples, and multidisciplinary knowledge on hybrid events. It is a means to inspire the cultural sector to produce creative…

Appunti sparsi a proposito di immagini e intelligenza artificiale

In ENTREPRECARIAT, by Silvio Lorusso, October 14, 2023

Immagine non generata con l'IA bensì con il buon vecchio Content Aware Fill di Photoshop. Le immagini generate con l'ausilio dell'intelligenza artificiale sono doppiamente retrospettive. In primo luogo in senso…

Memes as a Portal to the Past and Future: How Extinction Rebellion Is Using Memes to Change the Narrative Around the Climate Crisis

In Viral Image Culture, by Chloë Arkenbout, September 28, 2023

Since their first occupation of the A12 highway in The Hague, Extinction Rebellion has been reporting live on their actions through memes. Yes, you read that right, memes. The climate…

Multispecies Antiphonies: Artistic Research into Emergent Technologies and Ecologically Just Potentials

In Performing the Internet, by Nancy Mauro-Flude, 19/09/2023

The artwork Environments 12 is a splendid example of how artistic research is able to appropriately respond to how emergent acoustic technologies can generate more profound understandings of nonhuman lifeworlds.…

Walking the High Line

In ADS, by Paul Bille, September 14, 2023

A year ago Prem Krishnamurthy and I larped as tourists while walking the High Line in New York. We had a conversation with many detours, about everything from approaches to…

What Design Can’t Do is in Pre-order

In ENTREPRECARIAT, by Silvio Lorusso, September 11, 2023

Almost there. My new book What Design Can't Do will be out in late October with Set Margins', but you can already pre-order it. Here is the cover, designed by…

Permacomputing and the Dance of Repair Amid the Vestiges of Digital Obsolescence

In Performing the Internet, by Nancy Mauro-Flude, 05/09/2023

Electronics Ecologies is a new series focused on the environmental impacts of AI curated by Mel Gregg, hosted amidst the Asia Pacific region “primarily because this is where so much…

Holistic Computing Conversation Circle

In Performing the Internet, by Nancy Mauro-Flude, 12/07/2023

Holistic Computing Conversation Circle. A magnificent file tree inside a vast container of stars. Thinking through the dance of computing. collecting, archiving and sharing how we may occupy digital shells…

For an Imperfect Website: The Rise of Folder Templates

In Living Industry, by Maisa Imamovic, July 10, 2023

I belong to the generation that never associated a folder with its physical essence. Hearing the term automatically gave my imagination an appearance of the graphical icons in the operating…

Finding the Car Parked by the Forest

In STRIPTHƎSIS, by Manuel Robim, June 13, 2023

STRIPTHƎSIS2023.004 It is the difference that will not go away, the difference between what others see of us and our sense of our inner selves and the deep feelings that sustain…

Spotting the Sporting Identity in Tempo-Espresso

In STRIPTHƎSIS, by Manuel Robim, June 7, 2023

STRIPTHƎSIS2023,.003 Many years ago, I used to have this ritual every time I went to my grandparents’ house to have lunch: not long after I had finished my meal, which…

Off the Offensive Parturition, I Wonder

In STRIPTHƎSIS, by Manuel Robim, May 31, 2023

STRIPTHƎSIS2023.002 As opposed to the template-typical pensive nowness creature, slowly eroding as a result of existing primarily as means of corporate sustainability, I do not thrive in a slave-like wonder…

Recensie: Justin O’Connor – ‘Reset: Een nieuw begin voor kunst en cultuur’

In Our Creative Reset, by Sepp Eckenhaussen, May 30, 2023

Het socialistische tijdschrift Jacobin heeft sinds januari 2023 eindelijk een Nederlandse versie. In een van de eerste artikelen op het ‘platform voor linkse ideeënstrijd’ maakt Teun Dominicus de stand van…

Under The Influence(r)

In STRIPTHƎSIS, by Manuel Robim, May 25, 2023

STRIPTHƎSIS2023.001 The depravity of our senses has led us into a rampant search for the unknown within ourselves. What drives us to be better? What makes a purpose purposeful? This…

Making & Breaking III: Communal Luxury, edited by Sebastian Olma & Justin O’Connor

In Our Creative Reset, by Sepp Eckenhaussen, May 9, 2023

This issue of Making and Breaking sets out to re-imagine culture beyond individualised consumerism and personal preferences indexed to the ability to pay. Kirsten Ross recovered the idea of Communal Luxury from the…

Call For Proposals – Critical Meme Reader III: Breaking the Meme 

In Viral Image Culture, by Chloë Arkenbout, April 18, 2023

The meme is dead. Or at least that is what opinion pieces, magazine articles, conference presentations, and even memes themselves have declared over the years. Despite this, "meme" is as…

M.I.T. khr0n1kles [ bonus track ]

In D E S K T O P I A, by @lbert Figurt, April 16, 2023

If I had to summarize my whole overseas experience in one sentence, I would say it has been a long and overstimulating heterogony of ends. I was supposed to travel…
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