In my pursuit of addressing the politics underneath the interfaces, I discovered Alexander Galloway’s book The Interface Effect. Alexander Galloway is a writer and programmer working on issues in philosophy, technology, and theories of mediation. An interface, for Galloway, is an autonomous zone of aesthetic activity breeding its own effect — a matter that attracts … →

Dragi Damire,  Već dugo slušam tvoju muziku, posebno pjesmu Dva se draga (na dugmetu ‘ponovi’ tokom nekoliko faza mog života). 2018. godine sam pozvala svoje društvo da mi se pridruže u svjedočenju duše tvoje muzike tokom tvog koncerta u Zonnehuis-u, u Amsterdamu. Ti si pjevač Sevdaha, žanr koji je po Wikipediji poznat kao tradicionalna, narodna … →

Dear Damire,  I listen to your music for a long time now, especially the song Dva se draga (on a replay button during several phases of my life). In 2018, I invited my friends to join me in witnessing the soul of your music during your concert in Zonnehuis, in Amsterdam. You are a Sevdah … →

In relation to my recent article: Aesthetics of Boredom in times of Corona, in which I analyse the digital behaviours created by the Corona-related informational abundance on social media platforms, myself and Jess Henderson decided that it is perfect timing to mark what would be the most crucial interview in the history of digital Corona crisis. My … →

Besides the previously mentioned filter mainstream (which eventually applies to monetised human experiences), what I’ve been concerned about lately is the increased professionalism in contexts where a bit of anything(work) is done. If we look at the current modes of music production, one finds it hard to caress pure affinity towards music without the need … →