I’ve learned, A kind of communication, different from the one my masters have taught me, also different from the one my home has taught me. I’ve been taught that, what I’m learning, is how to read between the lines (of emotion); Furthermore, how to be deeply aware of else’s interiority, such as symbols/references/hooks/tricks; …
** Read in dark mode ** “Imamović perfectly captures the alienation of the post/hyper/late-capitalist subject, and its sublimation into a ‘style’ that is laboured over with the stagnant fervour of a factory-line worker. This diary is both a disturbing and comforting mirror of ourselves.” – Miriam Rasch, philosopher and essayist “Diary of a Stylist has …
Dragi Damire, Već dugo slušam tvoju muziku, posebno pjesmu Dva se draga (na dugmetu ‘ponovi’ tokom nekoliko faza mog života). 2018. godine sam pozvala svoje društvo da mi se pridruže u svjedočenju duše tvoje muzike tokom tvog koncerta u Zonnehuis-u, u Amsterdamu. Ti si pjevač Sevdaha, žanr koji je po Wikipediji poznat kao tradicionalna, narodna …
Dear Damire, I listen to your music for a long time now, especially the song Dva se draga (on a replay button during several phases of my life). In 2018, I invited my friends to join me in witnessing the soul of your music during your concert in Zonnehuis, in Amsterdam. You are a Sevdah …
The notfinal.pdf on spotlight consists of a few years old, therefore LONG, scroll, compiled of broken image squares – similar to those we encounter through the code when a file is missing. This pdf is attached to a romantic void avoider’s stomach whose figure is not new in our contemporary society, but whose position has, …
notfinal.pdf is a surgically attached pdf file that behaves like a big cloud, in order to collect the post-production material of an individual’s lived experience. The idea of notfinal.pdf originates from a lengthy conversation between its creators. The conversational exchange covered the topics such as the essence of life, with an aim to answer a …
♥ more on the current modes of waiting and the world’s impossibility to stay bored ♥ “‘What is urban space? What is a town? How are they composed at different levels – blocks of flat, buildings, monuments – in a word, the architectural and, at another level, the urbanistic?’ We are beginning to think that …
In relation to my recent article: Aesthetics of Boredom in times of Corona, in which I analyse the digital behaviours created by the Corona-related informational abundance on social media platforms, myself and Jess Henderson decided that it is perfect timing to mark what would be the most crucial interview in the history of digital Corona crisis. My …
♥ on current modes of materializing the waiting and the world’s impossibility to be bored ♥ “Now that the physical has given up on us as if saying: ‘Stop turning every brick of this city into a personal, monetary fetish’, what else is there to observe other than our digital behaviors?” – Maisa Imamović …
Besides the previously mentioned filter mainstream (which eventually applies to monetised human experiences), what I’ve been concerned about lately is the increased professionalism in contexts where a bit of anything(work) is done. If we look at the current modes of music production, one finds it hard to caress pure affinity towards music without the need …
